“The microphone is an instrument which acts toward the ear as the microscope does to the eye. It will render evident to us sounds that are otherwise ablolutely inaudible. I have heard myself the tramp of a little fly across a box with a tread almost as loud as that of a horse across a [...]
Posts Tagged ‘theory’
Listening to the Environment at higher Volume
Posted in silent thoughts, tagged sound art, theory on May 9, 2008 | Leave a Comment »
The Concept of „Sound Object“ (objet sonore) by Pierre Schaeffer
Posted in silent thoughts, tagged sound art, theory on May 9, 2008 | 2 Comments »
Pierre Schaeffer (1910 – 1995) is considered to be the founder of musique concrète. Trained as a radio engineer instead of a composer, he saw in the invention of radio, tape recorders and phonographs the potential for a new experience of sound, seperated from it’s source allowing sounds to have their own existence. He coined [...]
Jean-Francois Augoyard and Henry Torgue – Sonic Experience, A Guide To Everyday Sounds
Posted in quiet readings, tagged quiet readings, sound art, theory on May 9, 2008 | Leave a Comment »
In a word: this book is very rewarding reading: loaded with indepth theory and surprising new concepts about the classification of sound phenomena, it took 10 years to translate this work into english. Nothing for someone new to philosophical considerations about music, sound and noise, nevertheless the best summary in this area I know so [...]
I’m Andreas Bick. I compose and I work with sound. This is my acoustic notebook. You can find my thoughts about books and CDs I like and some sound recordings I did on the way. (I also practise my english writing skills here, so excuses for the mistakes I make...) Silent listening is about the fringes of music, the periphery where music turns into sheer sound - concrete, wild, sometimes stunningly beautiful.
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